Classical Conductor

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Accent on Performance Classical Collection - Conductor's Score: 22 Full Band Arrangements Correlated to "Accent on Achievement"

 (Accent on Performance Classical Collection - Conductor's Score: 22 Full Band Arrangements Correlated to
Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection. The Classical Collection includes authentic, carefully arranged music of the master composers from the Renaissance through the Romantic Period. Titles: * Elizabethan Dances * Mozart Serenade and Dance * St. Anthony Chorale * Best of Beethoven * Ave Verum Corpus * Saturday at the Symphony * and 16 others

Shoot the Conductor: Too Close to Monteux, Szell, and Ormandy (Mayborn Literary Nonfiction Series Book 7)

 (Shoot the Conductor: Too Close to Monteux, Szell, and Ormandy (Mayborn Literary Nonfiction Series Book)
Anshel Brusilow was born in 1928 and raised in Philadelphia by musical Russian Jewish parents in a neighborhood where practicing your instrument was as normal as hanging out the laundry. By the time he was sixteen he was appearing as soloist with the Philadelphia Orchestra. He also met Pierre Monteux at sixteen, when Monteux accepted him into his summer conducting school. Under George Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make him concertmaster in Philadelphia, where he remained from 1959 to 1966. Ormandy and Brusilow had a father-son relationship, but Brusilow could not resist conducting, to Ormandy's great displeasure. By the time he was forty, Brusilow had sold his violin and formed his own chamber orchestra in Philadelphia with more than a hundred performances per year. For three years he was conductor of the Dallas Symphony, until he went on to shape the orchestral programs at Southern Methodist University and the University of North Texas. Brusilow played with or conducted many top-tier classical musicians, and he has opinions about each and every one. He also made many recordings. Co-written with Robin Underdahl, his memoir is a fascinating and unique view of American classical music during an important e...

Classical Quartets for All (From the Baroque to the 20th Century): Piano/Conductor, Oboe (For All Series)

 (Classical Quartets for All (From the Baroque to the 20th Century): Piano/Conductor, Oboe (For All)
This quartet collection of 13 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Calm Sea, Opus 3, No. 2 (Schubert) * Dedication, Opus 14, No. 1 (Franz) * Frolicher Landmann (Schumann) * March (Mozart) * Minuet (Mozart) * Music for Queen Mary (I. March, II. Canzona) (Purcell) * Prayer (Humperdink) * Promenade (Mussorgsky) * Salute (Byrd) * Spanish Dance No. 1 (Granados) * Stoptime Rag (Joplin) * Waltz (Schubert).

Classical Duets for All (From the Baroque to the 20th Century): Piano/Conductor, Oboe (For All Series)

 (Classical Duets for All (From the Baroque to the 20th Century): Piano/Conductor, Oboe (For All)
This duet collection of 17 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Allegro (Mozart) * Aria (from Rigoletto) (Verdi) * Au Clair de la Lune (Lully) * Capricho Catalan (Albeniz) * Duet (Mozart) * Duetto (Pleyel) * Echo (Haydn) * Larghetto (Telemann) * Lost is My Quiet (Purcell) * Lullaby (Brahms) * Melody (Schumann) * Minuet (Bach) * Minuet in Canon (Mozart) * Pavana (Scarlatti) * Siciliene (Aubert) * Two Adagios (Corelli) * Two Rigaudons (Rameau).

Classical Trios for All (From the Baroque to the 20th Century): Piano/Conductor, Oboe (For All Series)

 (Classical Trios for All (From the Baroque to the 20th Century): Piano/Conductor, Oboe (For All)
This trio collection of 15 keyboard, vocal and instrumental pieces covering the Baroque to the 20th Century periods can be played together in harmony by any number or combination of instruments. Woodwinds, brass, strings and percussion can play in like-instrument or mixed instrumentation. It's an all-purpose folio that makes classical music fun! Contains: Adagio (Corelli) * Andantino (Turk) * Canon (Caldara) * German Dance, Wo0 13, No. 2 (Beethoven) * Landler (Schubert) * Passacaglia (Purcell) * March (Satie) * Minuet, Hob. XVI, No. 5 (Haydn) * Rigaudon (Daquin) * Romance (Schumann) * Rosamunde (Schubert) * Trio in F (Bach) * The Village Maiden (Rameau) * Waltz (Tchaikovsky) * Waltz in B Minor, Opus 39, No. 11 (Brahms).

DG 111 - The Conductors [40 CD Box Set]

 (DG 111 - The Conductors [40 CD Box)
All the great conductors on Deutsche Grammophon from the 1930s to the 2000s in one essential box set! A 40-CD original-jacket collection! Several recordings are new to CD, or have their first international CD release. Iconic recordings alongside rarer gems. 112-page booklet with new liner notes by Julian Haylock. The ideal cornerstone for any library of orchestral music

Women Performing Music: The Emergence of American Women as Classical Instrumentalists and Conductors

 (Women Performing Music: The Emergence of American Women as Classical Instrumentalists and)
This book explores the experiences of women from the late nineteenth and early twentieth centuries who pursued careers as public performers, charting a new course in an era when women's musical activities were generally consigned to the parlor. Certain instruments had historically evolved as "appropriate for women," and the flamboyant personalities and extroverted emotionalism of Romantic virtuosos and conductors were the antithesis of those qualities traditionally admired in women. However, this work presents an unusual group of young women who nonetheless became noted virtuosos, studying abroad as teenagers and touring North America upon their return. Detailed profiles are given of three remarkable musicians from among that unusual group: Fannie Bloomfield-Zeisler (1863-1927)--virtuoso pianist, wife and mother; Ethel Leginska (1886-1970)--pianist, conductor, and 1920s "new woman"; and Antonia Brico (1902-1989)--conductor and transitional figure to the late twentieth century. A concluding chapter contrasts the experiences of women classical musicians in the late nineteenth and the late twentieth centuries. Included are a number of photographs and drawings which impart the perceptions of audiences and critics of the stage presence of these performers.

Waldbühne: Czech Night - Berliner Philharmoniker - Yannick Nézet-Séguin - Lisa Batiashvili

 (Waldbühne: Czech Night - Berliner Philharmoniker - Yannick Nézet-Séguin - Lisa)

Classical Seattle: Maestros, Impresarios, Virtuosi, and Other Music Makers (McLellan Endowed)

 (Classical Seattle: Maestros, Impresarios, Virtuosi, and Other Music Makers (McLellan)
The past 50 years have seen a tremendous arts boom in Seattle, which has given the city not only internationally recognized classical music institutions but also great performance halls to showcase their work and that of visiting artists. From Igor Stravinsky's presence as guest conductor at the World's Fair in 1962, to Speight Jenkins's masterly production of Wagner's Ring cycle, to the work of benefactors such as Jack and Becky Benaroya, Seattle is deservingly well known as a city of the musical arts. In Classical Seattle, Melinda Bargreen documents the lives of prominent figures in the local classical music world. Informed by Bargreen's experience as a music critic and drawing on interviews she conducted over several decades, the 35 biographical profiles presented here illuminate the conductors, performing artists, composers, arts organizers, and arts leaders who have shaped Seattle's classical music community and made world-class performances possible. Among the individuals featured are University of Washington virtuosi, Seattle Symphony maestros and musicians, and Seattle Opera directors.

The Masters of the Classical Period as Conductors

Classical Conductor (The Masters of the Classical Period as)

Peel-n-Stick Poster of Concert Classical Heinrich Bender Music Conductor Poster 24x16 Adhesive Sticker Poster Print

Classical Conductor (Peel-n-Stick Poster of Concert Classical Heinrich Bender Music Conductor Poster 24x16 Adhesive Sticker Poster)

Six Evolutions - Bach: Cello Suites (CD)

Classical Conductor (Six Evolutions - Bach: Cello Suites)
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